Week Five: Brisbane (QUT) and Melbourne

The first part of this week has been spent with Thom and Laurent working on curriculum design and planning for our future collaborations (we’ll be launching #MoCo360 in 2014 so rather excited about that one), before flying back over to Oz for a few days at QUT. Here at QUT, it’s been pretty non-stop. I kicked off the visit with a presentation where I floated around my blog/slideshare picking out bits of interestingness – not easy when you realise 20 mins before your talk that there are so many areas of mutual interest with pretty much everybody there (and it’s a blank slate). Since then I’ve been spending time with individuals/groups of academics and related staff, discussing emerging pedagogies, technology, media and new learning/teaching paradigms… the usual stuff, basically.

I’ve really enjoyed my time at QUT, exploring ideas in relation to their digital transformations project. Wonderful Uni with super-talented people 🙂

I also experienced my first staff Xmas party in the southern hemisphere. Now that i’m getting used to the whole ‘santa in shorts thing’ I’m learning to love a sub-tropical Christmas – but never imagined I’d be sharing Yule-tide celebrations under palm trees… complete with Flash Mob. #loveQUT

Week Four: Ascilite (Sydney) – Wellington – Auckland

ASCILITE (SYDNEY): After an intense week of #marmw2013 (mobile augmented reality movie workshops), it was a 5am Saturday start as myself Thom Cochrane and Laurent Antonczak flew to Sydney to deliver a condensed version of our Mobile and Augmented Reality Film Workshop at the Ascilite conference. Planning the session was in itself a useful exercise as it forced us to trim the workshop right down, sticking to the main points and activities.

DSC01267 by heloukee
DSC01267, a photo by heloukee on Flickr.

In yet another ‘incredible shrinking world’ moment, the first people we bumped into at Ascilite were some of the Canberra team (big yay!), and it was great to have Cyntia Franco at our workshop. Cyntia’s into digital art installations and sailing around the world… i.e. awesomes.

DSC01252

Huge thanks to all of our workshop participants who were happy to get hands-on straight away and engaged in discussion and debate throughout – topics ranging from identity and ethics through to transmedia practices and geocaching. To finish off the workshop we all headed down to the local station, which had a rather striking set of escalators with a lift/elevator running down the middle: quite the Metropolis feel. Using Vyclone, we positioned ourselves on escalators, concourses and the lift and got to work. Rather pleased with the finished product (WE MADE ART GODDAMIT!) – example of rapid co-creation – and filters – which you can see here. Vyclone seem to like it too.

MASSEY UNIVERSITY (WELLINGTON): The following morning it was another early start (4.30am this time – my bodyclock is getting really screwed…) to fly back over to NZ: Massey University in Wellington – or Wellywood as it’s also known. Often referred to as one of the world’s coolest cities, it’s easy to see why – it’s colourful, quirky and oozes creativity. I was fortunate to be there on an unusually sunny/hot/calm day (Welington’s notorious for gale-force winds and earth tremors), but liked the vibe of the place straight away.

Went to Massey University today - here's a Photon Plasma Acceleration Rifle :)

I was visiting the College of Creative Arts at Massey’s Wellington Campus – highlights included seeing a plasma proton gun, meeting up with Antony Nevin and finding out more about his work, learning more about Maori culture embedded in the currlculum, the fact that this is a campus with a high school in the middle, there’s a graffiti wall of fame on campus (used by kids for art projects), visiting the audio studios (felt like home)… and of course, seeing Max in his home environment. Max and the lovely Karen Curley gave me a whistle-stop tour of Welly in the evening before another early morning start – this time heading back up to Auckland for the last few days of our mobile and augmented reality film workshops.

(#marmw2013 – AUCKLAND): Over the past 5 days, workshop participants back in Auckland had been working on their personal #marmw2013 projects so these were the main focus for the rest of the week. Projects ranged from geo-located mobile-mentary through to new forms of engagement with architecture and interactive video applications. Dave Cowland did an excellent job of demonstrating how one device can be used to engage with architecture in different ways through media-rich POIs on an interactive map. Troy Egan had made a film based on the Augmented Reality Game INGRESS, which gave us a genuine insider view into the world of Ingress players in action. This actually made a wonderful complement to Candy Elsmore’s presentation at MINA – although bizarrely Troy wasn’t at MINA and wasn’t aware of Candy’s presentation. His inspiration for the film came from seeing a group of people acting strangely with their phones at a station and asking them what they were doing. SPOOKY – and yet more incredible shrinking world syndrome/serendipity/synchronicity. This was an ambitious project, giving us not only a rich insider perspective on INGRESS gameplay, but also touching on game addiction, game mechanics, identity play, social capital  and communities dynamics.

Although I’ve only highlighted a couple of examples here, one of the most interesting developments (for me) has been seeing the way participants went in completely different directions when they went away to work on their personal projects. These individual interpretations and applications of mobile AR film across multiple contexts perfectly demonstrates the potential for media-rich, engaging, mobile AR across the curriculum. I’d love to have one more week (or more!), so that we could bring all participants together again to collaborate on a major project  – after seeing their individual work and convening for group reflections/feedback, the potential for multidisciplinary teamwork is becoming increasingly apparent…

Auckland: Mobile and Augmented Reality Film Workshops/Journalism Symposium

(and a title so long it reminds me a really must sort out my WP template…)

Oz/NZ Week Three

Many of the contributions to last week’s MINA 2013 Mobile Film Screenings and Symposium explored locative media and geo-located production practices. Carrying on the same theme, for the past week I’ve working alongside iCollab/ELVSS collaborators Thom Cochrane and Laurent Antonczak, with the welcome addition of Vik Narayam from AUT. We’ve been running a series of Mobile and Augmented Reality Film Workshops (#marmw2013) for academics from AUT and beyond.

Screen shot 2013-12-04 at 11.41.09

It’s been a packed week, where we’ve covered many aspects of mobile/locative media creation with guest speakers from around the world dropping in via Google Hangouts. Together we’ve explored collaborative mapping and augmented reality applications (similar to the recent #iCollab project); collaborative movie making using Vyclone; Vine and a range of mobile film apps; Vimeo and YouTube (or rather Vimeo vs. YouTube); mobile film history and aesthetics; mobile filming techniques; mobile audio production tools and practices; and transmedia narratives for audience engagement.

Guest speakers via hangout included:

  • Vernon Rive (NZ but currently at Cambridge University in the UK) – as an environmental lawyer, Vernon’s use of social/mobile media in his casework is a real eye-opener as he uses online platforms to highlight community issues in relation to legal cases. This led to Averill Gordon musing on the blurring of boundaries between law and PR if lawyers are using digital media to engage people/raise awareness of campaigns – reminding me of Ron Burnett‘s writing on transdisciplinarity in networked spaces, which I find myself referring to on a regular basis, including in our paper “New Global Learning Cultures: Interdisciplinarity through Networked Technologies
  • “The Swedes” (Sweden, funnily enough) who told us about the ways they’re using mobile and social technologies at Umea University – they’re wonderful, as is Thom’s blog post which tells you more about them…
  • Dan Wagner (UNITEC, NZ) who gave us a live demo of filming techniques (from the great outdoors – well the lush grounds of UNITEC at least – complete with a serendipitous tui birdsong accompaniment) particularly focusing on the technical capabilities/limitations of camphone lenses.
  • Everybody’s favourite German mobile filmmaker Max Schleser (Massey University, NZ) who gave us an entertaining yet erudite perspective on mobile filmmaking, including a sample of his mobile-mentary “Frankenstorm“, filmed at the Jersey Shore, two month after hurricane Sandy hit the East Coast and caused an estimate of over $71.4 billion in damage.
  • Catherine Cronin (Ireland) – a member of the iCollab team, who talked about our international collaborative google mapping project, raising important issues around trust and identity in online networks. It’s always good to hear Catherine’s graceful musings on learning and teaching through social and mobile media…
  • Finally, Mark McGuire (University of Otago, NZ) joined us on Friday afternoon and gave a rich overview of digital media practices and possibilities before spending time talking to each participant individually about their projects, which was much appreciated and ensured that people went away brimming with ideas.

While the workshops ran Monday to Friday, we also spent part of the day on Wednesday at the AUT Journalism Symposium, where Thom was presenting on the use of mobile technologies in L+T and I was a panellist (Innovation and The Future) along with Jeremy Rees (Editor-In-Chief, APN-online/NZ Herald) and Richard Pamatatau, expertly mediated by Helen Sissons, where we discussed, debated and occasionally disagreed on the role and impact of social media on mainstream journalism.

Danni Mulrennan, who organised the Symposium (and is doing great stuff with mobile/social in journalism ed.), also gave us a tour of the fantastic journalism facilities at AUT. Myself and Laurent had a great time playing around with the VidyoCast system and making… erm… screen art

All in all it’s been a packed week, and we’ll be seeing the workshop participants again on 5 and 6 December to view their individual/group projects, which I’m really looking forward to.

Here is the G+ Community for the workshops, which gives an idea of the kind of things we’ve been covering, and for a visual summary see this Flickr set.

MINA 3rd Mobile Creativity & Mobile Innovation Symposium 2013

WEEK TWO: Auckland (post 3 of 3): MINA 3rd Mobile Creativity & Mobile Innovation Symposium 2013

The Mobile Innovation Network Aotearoa [MINA] creates interactions between people, content and the creative industries http://mina.pro/

This is the final post of three covering ‘WEEK MINA’ (as it shall henceforth be known) – my first week in Auckland and a welcome excursion into all forms of mobile creativity. The main event of the week was the 3rd Mobile Creativity & Mobile Innovation Symposium 2013, organised by Max Schleser and Laurent Antonczak and held at AUT’s stunning Sir Paul Reeves Building.

Now in its 3rd year, the MINA Symposium is gaining a reputation as one of the leading-edge academic events around mobile creativity, with close links to partner mobile film festivals around the world. The 2-day symposium was punctuated by 3 nights of mobile film screenings that I wrote about here.

I was delighted to be invited to the symposium as a keynote speaker along with Prof. Larissa Hjorth from RMIT. This was the first time I’d attended a MINA event, and I was impressed by the diversity of sessions. With key themes of:

  • MOBILE & PEDAGOGY / Learning & teaching
  • MOBILE & MEDIA PRODUCTION / Distribution & collaboration
  • MOBILE & AESTHETIC / iPhonography & filmmaking
  • MOBILE & SOUND / Music production & Instruments
  • MOBILE & HYBRID ART / Installation
  • MOBILE & INTERACTIVITY / Ludification & gamification
  • MOBILE & SPACE / Locative media & GPS tagging
  • MOBILE & APPlications / Science & Health

Contributions ranged from gaming, interactive film, pedagogy, citizen journalism, film theory, cultural theory, politics, audio (design/art), pedagogy, documentary filmmaking, transmedia, product design – in fact, I kept finding myself thinking ‘(insert colleague/collaborator/twitter contact’s name) should be here. There really is something for everybody at MINA, with the devices in our pockets serving as springboards for an impressively rich range of contributions from pretty much any discipline/field – I was as transfixed and inspired as I am by The Rest Is Noise festival, and that’s saying something…

The full programme is here, but I’ll just pick up on a few (personal) highlights beginning with Hjorth’s keynote, a brilliantly nuanced exploration of social, mobile and locative media signalling a need to focus on emplacement and co-presence rather than the dominant ‘network’ metaphor in visual/media and internet studies. Mobile, movement and geolocated production practices were recurrent themes (as you’d expect), with Hjorth’s keynote followed by Trudy Lane and Halsey Brugund’s audioscapes – which being based in acoustics/audio I found especially interesting – and Candy Elsemore’s mobile location-based augmented reality gaming, which resonated with me from the perspective of engagement through alternate realities and pedagogies.

Lorenzo Dalvit’s focus on camphones as devices for capturing events as they happen was a sobering unfiltered view of the inhumaneness of an oppressive regime. Showing footage that captured police brutality in South Africa, Dalvit highlighted the role of the devices in our pockets as tools for citizen journalism – a theme also picked up by Ben Lenzner who highlighted the work of Tim Pool and the community-activist group India Unheard.

In terms of mobile aesthetics, there were several notable sessions from practitioners/theorists/practitioner-theorists including Patrick Kelly, Dean Keep, Craig Hight and Felipe Cardona. I loved Miriam Ross’ session on ‘The New Vertical’. Ross set up the Vertical Cinema Manifesto as a response to the anti-vertical PSA-spoof (and related) vids that were doing the rounds online. Making the case that this in itself is a form of policing, Ross is calling for us to fight for our right to go vertical. Whatever you think about the horizontal vs. vertical debate (personally, I’m a big fan of the idea of vertical – although I don’t always find it comfortable to watch), it’s important to recognise industry-led convention and to keep questioning, exploring and innovating. Why should film always be horizontal? What about vertical, round, etc? Don’t they have a place too? I always find it interesting when we’re working with students on 24F24H, seeing how many people reject outright the vertical – because that’s how it is, that’s how it’s done, “there’s this study that says…” Ross’ work is timely, needed and refreshing.